Toronto
2000
Musical Intersections
IASPM US-Canada Program
| Thursday, Nov. 2, 2000 | Friday, Nov. 3, 2000 | Saturday, Nov. 4, 2000 | Sunday, Nov. 5, 2000 |
|
Program Committee: |
| Saturday, Nov. 4, 2000 |
||
|
9:00 - 12:00 a.m. |
IASPM 1 (Cinema 1-344) |
Exporting
the Local, Importing the Global: |
| Deborah
Pacini Hernandez (Brown University) |
Chair | |
| Bob
W. White (University of California, Santa Cruz) |
Cuba, Cosmopolitanism, and the Re-invention of Rumba in Congo-Zaire | |
| Ivor
Miller (Schomburg Center for Research in Black Culture) |
A
Secret Society Goes Public: The Relationship Between Abakuŕ and Cuban Popular Culture |
|
| Deborah Pacini Hernandez | Nationalizing
rock: rock and roll in Cuba, 1960-1980 |
|
| Reebee
Garofalo (University of Massachusetts Boston) |
Hip
Hop Havana: Rap in Contemporary Cuba |
|
| Ariana Hernandez-Reguant (University of Chicago) |
Revolutionary
Modernity Does Not Sell Records: The Buena Vista Social Club |
|
| IASPM 2 (Conf. F-70) | Musical Histories | |
| Charles Hamm (Dartmouth College) | Chair | |
| Bernard
Gendron (University of Wisconsin-Milwaukee) |
Before
Fusion: Jazz in Crisis (1964-67) |
|
| Steven
Baur (University of California at Los Angeles) |
’A
Bad and Dangerous Epidemic’: Rhythm, Dance, and the Vilification of Popular Music in Late Nineteenth-Century America |
|
| Christina
Baade (University of Wisconsin, Madison) |
"Victory
through Harmony": Dance Music for Workers in Wartime Britain |
|
| Melissa
Parkhurst (University of Wisconsin—Madison) |
‘Please,
Miss Central, Find My Mamma’: The Telephone Girl, in Society and in Popular Song |
|
| IASPM 3 (Johnston I-II-48) | Structures and Constructions | |
| Will Straw (McGill University) | Chair | |
| Kirsten Yri (SUNY at Stony Brook) | Female Vocality and the Celtic in Loreena McKennitt and Enya | |
| Carol Vernallis (University of Northern Iowa) | One
Sings, the Other Doesn't: Musicality and the Human Figure in Music Video |
|
| Lutgard Mutsaers (Utrecht University) | Popular song and the construction of the archetypal ‘Baby’ | |
| Dale Chapman (University of California at Los Angeles) | Hermeneutics
of Suspicion: Paranoia and the Technological Sublime in Drum and Bass Music |
|
|
2:00 - 3:30 p.m. |
IASPM/SAM (Lismer) | Black
& White/ Folk & Commercial: Music and Cultural Politics |
| Travis A. Jackson (University of Michigan) | Chair | |
| Karl Hagstrom Miller (New York University) | 'All Songs is Folk Songs:' Working Musicians and Southern Music Markets Before the Blues |
|
| David Suisman (Columbia University) | The Only Genuine Colored Record: Black Swan and the Cultural Politics of the First Black-Owned Record Company |
|
| Lydia Hammesley | The Role of Southern Music Tours | |
|
2:00 - 5:00 p.m. |
IASPM 1 (City Hall-150) | Music,
Communication and Cultural Studies: New Timbres |
| Roger Johnson (Ramapo College) | Chair | |
| Roger Johnson | Expanding the Boundaries | |
| Anahid Kassabian (Fordham University) | The Music No One Listens To | |
| Jonathan Sterne (University of Pittsburgh) | Audile Technique and the History of Listening | |
| Paul D. Fischer (Middle Tennessee State University) | We'll Fix It When We Mix
It: Music Education and the Interdisciplinary Revolution |
|
| IASPM 2 (Conf. G-80) | Media Intersections | |
| Line Grenier (University of Montreal) | Chair | |
| Norma Coates (University of Wisconsin-Madison) | Who put the pop in the bubblegum?: Television's role in the young-girling of pop music |
|
| Murray
Forman (Queens College, City University of New York) |
"One Night on TV is
Worth Weeks at the Paramount": Jazz on the Small Screen Frontier, 1948-1955 |
|
| Thomas Swiss (Drake University) | Jewel Case: Pop Stars, Poets, and the Press |
|
| Elizabeth
Withey (Arizona State University, Whitney Museum of American Art) |
How TV Got
Jazzed: Henry Mancini's PETER GUNN Phenomenon |
|
| IASPM 3 (Kenora-80) | Musical Futures | |
| Georgina Born (Cambridge University) | Chair | |
| David
Hesmondhalgh (The Open University, Milton Keynes) |
The New Music Industries | |
| Lillian Radovac (McGill University) | Reforming Rock: Post-Rock as a Site of Generic and Discursive Change |
|
| Charity Marsh (York University) | Subverting the Conventional through Spaces of
Ecstasy: Exploring the Musical Narrative(s) of Queer Women in Rave |
|
| Cynthia Fuchs (George Mason University) | “This Is Our World, Me and Mty Girls”: Hiphop Girls and Millenial Technologies |
|
| Georgina Born | Respondent | |
| 5:00 - 6:30 p.m. | IASPM-US (S-Simcoe/Dufferin) | Business Meeting |
| 6:30 - 7:30 p.m. | SMT/
SEM/ SAM/ IASPM (S-Trader's Bar) |
Informal Gathering |
| Details: | http://www.iaspm.net/rpm/News.html#October_2000 |
For
the complete schedule including the programs
of all 15 cooperating organisations,
go:
|
For more information on |
This page was updated on
28-October-2000
by Heinz-Peter Katlewski
