Popular Music Studies
News Archive (01)
first half-year 1999

Some of the hyperlinks are likely to be outdated!

For Information concerning forthcoming conferences, go:
Conferences & Calls for Papers on Popular Music Studies

To: Archive News - 2nd half-year 1999

February 1999 March 1999 April 1999 May 1999 June 1999
26-May-1999 The proceedings of the II Latin-American IASPM Conference of Santiago, March 1997 got published now and are available:

Proceedings IASPM Santiago de Chile 1997: Musica Popular en America Latina
Rodrigo Torres (ed.)
Musica Popular en America Latina
Actas del II Congreso Latinoamericano IASPM
International Association for the Study of Popular Music
Santiago: Fondart y Rama Latinoamericana IASPM:

Marzo 1999, ISBN 956-288-171-7

Contents (articles in Spanish and Portuguese):

Chapter I: "Popular music and globalization"
Ch. II: "Music and politics"
Ch. III: "Andean popular music"
Ch. IV: "Passion and seduction"
Ch. V: "Dancings from the Southern Cone"
Ch. VI: "Samba: history and criticism"
Ch. VII: "Rock [in Argentina, Brasil, Chile and Mexico]"
Ch. VIII: "From the traditional to the popular"
Ch. IX: "Instrumental [popular] music"
Ch. X: "Avant garde popular music"

This 434 pp volume  is available upon request. The price is U$ 20 plus shipping. By the way: The III Latinamerican IASPM Conference with the Academia Superior de Artes de Bogotá, Colombia, will be held in Bogotá in November 2000. Contact:

Juan-Pablo Gonzalez
Instituto de Musica - Universidad catolica
Av. Jaime Guzman
RCH-3300 Santiago de Chile, Chile
e-mail: jgonzaro@puc.cl

23-May-1999 Gage Averill (Music Dept., New York University) as General Editor of a new Garland book series entitled

"Perspectives on Global Pop"

is currently soliciting manuscripts, proposals, ideas, and volume editors for books in the series. Organizers of thematically-focused symposia, conferences, or panels are encouraged to consider editing volumes that issue from this type of scholarly activity.

The series is planned to consisting of scholarly essay collections exploring the global traffic in musical sounds that is reconfiguring the world's sonic map. Popular musics of the "west", from jazz to techno, have long sought new audiences and meanings in their global march; and subaltern popular musics - such as soukous, soca, rai, or bhangra - have also garnered international markets and influence. "Perspectives on Global Pop" showcases a cross-disciplinary dialogue on issues, theories, and regional studies in global popular musics and seeks to evaluate the repercussions of accelerated globalization and cultural hybridity.

Please contact: Gage Averill,
Music Dept., New York University
24 Waverly Place, Rm. 268
New York, NY 10003, USA
Phone: +1 212- 998-8302
E-mail: gage.averill@nyu.edu

22-May-1999 The Journal of Aesthetics and Art Criticism has published a special issue on aesthetics and popular culture. Co-edited by Kathleen Higgins (author of _The Music of Our Lives_ from Temple University Press and Joel Rudinow, keyboard player in the Elvin Bishop Band, the issue features four essays on popular music:
  • Stephen Davies, "Rock Versus Classical Music"
  • Theodore Gracyk, "Valuing and Evaluating Popular Music"
  • Richard Shusterman, "Moving Truth: Affect and Authenticity in Country Musicals"
  • Lee B. Brown, "Postmodernist Jazz Theory: Afro centrism, Old and New"

There are eight other articles, including one on the X-Files as postmodern pop and another on the aesthetics of sports. The special issue is volume 57, number 2 (Spring 1999).

21-May-1999 Michael Drewett, Sociologist from South African Rhodes University announces:
  • A project of the Rhodes University Sociology Exhibition Co-ordinating Committee as part of the Grahamstown National Arts Festival

    June 29 - July 11, Grahamstown, South Africa

    Cutting Grooves:
    an Exhibition of the censorship of music under apartheid
    An interactive celebration of resistance through music including: Photographs, Posters, Documents, CD-ROM, Music, Album covers, Merchandise stand, live music, unplugged concerts.
  • 'A naartjie in our sosaatie',
    this anti-apartheid compilation album,originally released in 1985 by Shifty Records is now re-released on CD, altough only in a special limited edition. It features 10 songs by Southern African anti-apartheid performers such as National Wake, Sankomota, Corporal Punishment, Roger Lucey and Kalahari Surfers - all banned or restricted in South Africa during the apartheid years. 12 UK stirling including P+P.

Details: Michael Drewett,
Dept. of Sociology, Rhodes University,
Grahamstown, 6140, South Africa.
e-mail: scmd@warthog.ru.ac.za

19-May-1999 IASPM in Turkey

A few days ago a Turkish branch of IASPM (The International Association for the Study of Popular Music) was founded by members in Ýzmir and Ankara. For details go: Branches

6-May-1999 The National Rock & Heavy Metal Archive (NRAHMA)  is launched.

NRAHMA is based on two private collections which were kindly donated, out of tragic circumstances, to Salford University by the families of Paul Moss and Stephen William Shaw. These comprehensive collections represent over three decades of rock music, encapsulating many classic and rare albums.

The aim of NRAHMA is primarily to function as an informative database for research and general interest. Although the archive is not yet complete, there is an estimated 3000+ albums/singles available for archiving. Hopefully, as the database increases, NRAHMA will also be able to function as an accessible listening library. Any donations are very welcome.

More information:
Andy Greenwood [a.greenwood@music.salford.ac.uk]
Music Department, Salford University, UK
Tel: (++44) 0161 2956007

3-May-1999 The German Music Information Centre (MIZ) has published a new issue (book and/or CD-ROM) of its Music-Almanac, which is thought to be a reference book on the musical life of Germany. For details in German visit this hyperlink:

MUSIK-ALMANACH 1999/2000
Daten und Fakten zum Musikleben in Deutschland

1-May-1999 The Jazz World Society announces the new, 13th, edition of THE JAZZ PRESENTERS DIRECTORY 1999, is now available with resources related to booking performers for clubs, concert series, corporate, college and other events. For Details click on these links:
26-April-1999 Topia: Canadian Journal of Cultural Studies
is planning a special issue on the theme of "Music and Memory at the turn of the Millennium." We invite you to consider the topic with respect to the following three themes:
  • lost musics;
  • changing technologies of memory; and
  • music, travel and Diaspora.

We invite both full size scholarly articles and brief reminiscences or critical speculations. Both may be accompanied by musical examples for an accompanying CD. Tentative proposals must be received by Friday, April 30, for funding purposes. This proposal is being submitted to the Canada Council Millennium Fund.
Final articles will be required by September 30, 1999.

Editor: Jody Berland [jberland@yorku.ca]
Associate Editors
: William Echard [wechard@yorku.ca]
Karen Pegley [kpegley@yorku.ca]
Editorial Assistant: Marusya Bociurkiw

22-April-1999 Popular Music: Intercultural Interpretations, this has been the title of IASPM's 9th international conference in Kanazawa/Japan two years ago (July 27-31, 1997). In the meantime Kanazawa University published the proceedings:

Proceedings IASPM Kanazawa 1997: Popular Music - Intercultural Interpretations
Toru Mitsui (ed.)
POPULAR MUSIC: Intercultural Interpretations
Kanazawa/Japan 1998
Sixty-seven contributions classified in five parts
558 pages in A4 format
ISBN 4-9980684-1-5
3,500 yen per copy + 1,080 yen for overseas surface mail
(to convert the price to your currency, check:

The Universal Currency Converter)

Payment can be made in the yen currency to the bank account of the 9th IASPM Conference Office: Ishikawa Bank, Tenjinmachi Branch (1-4-3 Tenjinmachi, Kanazawa, Ishikawa 920-0925, Japan; Telephone (+81)(0)76 222 3525). The ordinary deposit account number 0237112.

Inquiries for mail-order send to
Toru Mitsui
[mitsui@kenroku.kanazawa-u.ac.jp]
Graduate Program in Music, Kanazawa University
1 Kakuma, Kanazawa, Ishikawa 920-1164, Japan

17-April-1999 Call for Papers for a Callaloo Special Issue: Hip-Hop and Diaspora

Is there a hip-hop Diaspora? What are the sites of hip-hop globally? What are the issues and themes? The deadline for the Callaloo issue had to be extended due to a delay at with earlier issues. The new deadline for abstracts (send 3 copies) is June 1. The point of this issue is to feed information about the global nature of hip-hop back to the audience of Callaloo (a US journal).

Please address questions and all submissions to:

Kyra D. Gaunt [kg6j@virginia.edu]
McIntire Department of Music, University of Virginia
112 Old Cabell Hall, Charlottesville, VA 22903, USA
Office +1 (804) 924-3052; Fax +1 (804) 924-6033

12-April-1999 Papers from the 6th National Australian /New Zealand IASPM & Inaugural Arnhem Land Performance conference will be published July 1999 by Wakefield Press. The volume will reflect the eclectic mix of voices - academics and musical practitioners, the academy and the industry - of the original conference. The publication will be available for purchase at the Sydney International IASPM 1999 conference. Contact:

Gerry Bloustien [gerry.bloustien@unisa.edu.au]

30-March-1999 Intermediate Report of IASPM's Executive Committee can be visited. Go: EC Report
29-March-1999 Wanted: contribution for a collection of essays on "India in Britain: Hybridities". The essay should highlight cultural mixes in contemporary Britain between sub continental and Western styles of pop music (like in corner shop, Apache Indian bangla, banghra, tablatronics etc.). Language English or German. The collection to appear as part of the autumn edition of the Berlin based journal Hard times.

Contact: [bernd-peter.lange@gse-w.uni-oldenburg.de]

24-March-1999 Bruce Johnson has assembled a bibliography of Australian popular music. This is a resource he put on his website: http://www.arts.unsw.edu.au/jazz/. Go to 'Archive' under links, then to 'Bruce Johnson's Personal Archive'.
23-March-1999 Deborah Wong, Director of the Center for Asian Pacific America (University of California, Riverside) announces a conference "Unnatural Acts 1999 - Techno-Performatives: Simulations, Appropriations, Identities" (April 23-24, 1999).
22-March-1999 Popular Music and Society is seeking article-length manuscripts for a special issue on nineteenth-century American popular music to be published in 2001. All kinds of research in the area are invited, except that manuscripts should not be exclusively musicological in focus and intent. There are no limits on musical genres. Articles that explore issues of race, class, and/or gender are especially welcome. Deadline for receipt of manuscripts is May 1, 2000. D

Details:
Junita Karpf
[nkarpf@arches.uga.edu]
School of Music, University of Georgia

21-March-1999 IASPM's German speaking branch invites to Berlin for a two-days coloquy in June (June 15-16, 1999) and a General Meeting of the branch. Main subject of the meeting is "Forschung (=research) on demand?!".
19-March-1999 The USA Songwriting Competition announces in 15 different categories international awards for songwriters, composers, bands, recording artists everywhere. Winners will be selected by a Blue Ribbon committee of music industry judges including record label publishers, producers and voting members of NARAS (Grammy Awards). Deadline for entries: May, 31, 1999.
12-March-1999 For some of those wanting to take part on IASPM's Sydney conference, the International Researcher Exchange Scheme (IREX) of the ARC (Australian research Council) might be an opportunity to get funding.
11-March-1999 Conditions for participation and a registration form
for IASPM's international conference  in Sydney/Australia (July 9-13, 1999)
"Changing Sounds" are now published on the web. Follow the hyerlinks.

Picturing Justice is a web site on-line journal which focuses on law and popular culture. The site features short (1000-2000 word) reviews and essays.  The site is managed by John Denvir, Rob Waring, and Paul Joseph (Associate Dean for International and External Programs, Nova Southeastern University Law Center, 3305 College Avenue, Fort Lauderdale, FL 33314, phone: +1(954) 262-6171, fax: +1(954) 262-3835 (fax), email: josephp@nsu.law.nova.edu )

25-February-1999 Anna Szemere, member at large of the IASPM Executive Committee, changed job. She is  is currently a Postdoctoral Fellow with the American Council of Learned Societies and a Visiting Scholar at the Departments of Sociology and Cultural Studies at the Department of Sociology and Cultural Studies, University of North Carolina, Chapel Hill.
Her new mailing address:

822 Lake Forest Drive
Raleigh, NC 27615
home phone: 919-847-5397
phone/fax: 844-9708
e-mail: aszemere@ucsd.edu

23-February-1999 The Beatles Studies Group at University of Jyvaskyla has just published BEATLESTUDIES 1. It is published in the research series of their university, therefore it is not available from bookstores.
It is available from:

FM Terhi Nurmesjarvi-Skaniakos [nuteka@jyu.fi],
BEATLES 2000, University of Jyvaskyla, Department of Musicology
P.O.Box 35 (M), FIN-40351 Jyvaskyla
tel. work +358-(0)14-601 348, home +358-(0)14-616 131, fax. +358-(0)14-601 331

19-February-1999

New Design and contents for IASPM webpages:

  • A newly added search engine searches all pages of RPM online and IASPM from the IASPM homepage

  • The Provisional programme for the forthcoming
    international IASPM conference is out.
    Visit Sydney 1999

  • The discussions about Copyright on the IASPM mailing lists are documented. Go: Copyright Debate Copyright Debate

  • All reviews printed in the Ex Omnibus Linguis supplements of RPM#25, 26 and the forthcoming issue 27/28 (end of April) are now on the web: Go: journals and books

Last time updated on 29-August-1999 • © Heinz-Peter Katlewski

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